Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts

Thursday, March 12, 2009

Why wert thou so dear? OR Looking for Byron in Cologny Part I

Now I love me some John or Clive or yes, that *yawn* no-brainer crush George.







But there will always be a part for me that will forever be in love with that other George. George Gordon that is. That's Lord Byron to you. All that brooding angst, that lust for life (among other things), those oh-so interesting friends who died too young, that renegade rebellious spirit, those forbidden passions, and yes, even that club foot. All of that and talent too, how could anyone resist? I was a goner even as a ten year old when I read my first Byron poem, and then when I read about him. Ohhhh Byron *sighs deeply*



When We Two Parted

by Lord Byron (1788 - 1824)


When we two parted
In silence and tears,
Half broken-hearted
To sever the years,
Pale grew thy cheek and cold,
Colder, thy kiss;
Truly that hour foretold
Sorrow to this.

The dew of the morning
Sunk, chill on my brow,
It felt like the warning
Of what I feel now.
Thy vows are all broken,
And light is thy fame;
I hear thy name spoken,
And share in its shame.

They name thee before me,
A knell to mine ear;
A shudder comes o'er me...
Why wert thou so dear?
They know not I knew thee,
Who knew thee too well..
Long, long shall I rue thee,
Too deeply to tell.

In secret we met
In silence I grieve
That thy heart could forget,
Thy spirit deceive.
If I should meet thee
After long years,
How should I greet thee?
With silence and tears.


So I journeyed to Chillon and walked around the lake and tried to see this city he loved through his eyes. But how could I live in Geneva and not visit the house at which he stayed? It took me a while to find it but find it I did.

For Mary Shelley fans, this is where Frankenstein was born. Like all good, ghoulish tales, the monster of Dr. Frankenstein came to life on a dark and stormy summer night when Byron challenged his friends to a contest. The rest is literary history. But much as I love the Shelley's, let's go back to Byron.

The Villa Diodati--where he stayed when visiting--is in Cologny, an exclusive, if-you-need-to-ask-the-price-you-so- can't-afford-to-live-here part of Geneva. It is on Chemin de Ruth 9 in Cologny, and yesterday I just could not resist Byron's call.

And I will blog about it in the next post. How's that for a cliff-hanger, huh?

Monday, March 10, 2008

..and consumption too

I find fevers to be the most literary illness. Perhaps because I get fevers so often and I have literary pretensions. A fever is the ultimate symptom of ennui. The hot brow, that strangely unconnected feeling with the world while at the same being hyperaware of the temperature fluctuations of my own body. Self-indulgent yes, but when I have a fever the world shrinks around my dimensions and nothing else lies beyond the boundary of my body. I am my own world and the world is me.

When I was a neurotic, too-imaginative teen I fell in love. With Shelley and with Keats though I had a slightly mad obsession for Lord Byron as well. But while Byron was dangerously sexy and sexual, I imagined both Shelley and Keats to be the ultimate romantic, passionate yet frail lovers of doomed affairs. Aaah! That Wild West Wind. Oh Ozymandias. An Ode to a Grecian Urn? I'm on board though I had no clue what a grecian urn was or why one would write an ode to it. But during that time I think I wrote an Ode to a Brown Teapot. Then I discovered that I could not write poetry. Could. Not. No talent in that direction at all.

My Shelley and Keats, dead at 26 joined my other dead crush Jim Morrison. We were kindred spirits all of us. And I believed I too would die at 26. And perhaps when the four of us got together some poetry would leach itself into me. And when I didn't pass away romatically at 26, that was almost a kind of a betrayal and an unvalidation of any writing aspirations. I was missing two ingredients of death at 26. I could do heavy drugs like Jim but that was so unnatural, so modern. The natural death of literary giants was to get consumption. Consumption that oh-so romantic disease where you just wasted away leaving just your passion and your fierce and lovely words hanging in the air like the cheshire cat's grin. Of course, I ignored their ignonimous love affairs, the slight unsavouriness that I can delight in now, but that to a child's eye would have smashed the clay feet of my idols.

And I dreamed of the shores of Lake Geneva where Byron, Keats and Shelley, wrote and talked and suffered bravely (well, at least the latter two did). In my mind they sat on long-armed chairs, slanted gently, almost lying down, swaddled in warm woollens as they gazed upon the silver of the water. And they spoke of poetry and verses floated thick in the air. And in my mind the lake was wreathed in mist, with the cold air from the mountain coming in to ruffle the hair that lay on Shelley's forehead. Aaah! Such dreams!

And now I am here, and the ghosts of my beloved three wander somewhere in the waves of the lake. Their words linger. And I hug my fever to myself. But damn! Where is my consumption. Perhaps wherever it is that my fierce love for the romantics went. Wherever it is that my tastes became more modern and less overwrought, where shades and emotions in between meant more than the over-done and the dramatic.

But still there is something in me that still thrills to the thought of finding Shelley, Keats and Byron somewhere in Switzerland. I plan to go look for Byron's house and to re-trace their steps. I mgiht not have consumption (thank god) but I can recapture my young loves.